Rothko’s
White Centre
He gives us a perspicuous flat-plane
moment;
Blocks of colour for humans to make a
dwelling place;
The black water suits the soil for
ploughing and planting;
The golden sunlight swells the green pea in
the pod;
The pink lavender is the spring of
contemplation;
In the pink and rose there is the festival
of first fruits
Here we
heed a call to return to existence,
Finite
beings with double awareness who
Face the
task of being heroically alone;
Who must
return to the home of necessity;
The emblems of honest need are fragments of
sacrament;
He frees us to sing the psalm of many colours;
To cut a
hole through the ice and see the deep;
To dry
ourselves from a drenching of the sceptical;
To turn
our faces from the flickers on the back-lit cave;
To wonder when the warm light filling the
ears of corn
Stirs the sheaves to wave at the liquid
sickle sun,
To honour the salty reapers who with bent
spines gather grain;
To leave the forgotten sheaves
for hungry neighbours;
The white is the salt of the plated
offering
That replaces blood sacrifice eight days
after creation;
It is also the unhusked flour that makes
our daily bread;
It tells us we can be at home everywhere
with everyone;
Here Stan might dance as melodiously as
Fred;
For all the tap-tap syllables of colour say
‘I exist’
Lear would not have cudgelled Cordelia to
hear her love;
It is miraculous that a gleam of light in
the brain flashes sense;
It is miraculous that a painting can the
day after mean at all;
The miracle is he enacts the theatre of
finite human belonging;
The miracle is the silence is so accurate
because it risks adventure;
You ask, How should I live? What do I owe others?
You ask, How should I live? What do I owe others?
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